I bought a nice new/old Rivarossi cab forward thinking I would add Dcc and sound. But as I was running it to break it in it occurred to me how nice it was just listening to the wheels on the tracks and the smoothness and quietness of the engine.
I have now decided to turn off the sound of most of my engines for awhile.
Don’t get me wrong, I love sound but no sound at times can be very soothing.
I turn mine off. After about 15 minutes of running the layout it gets old. Sometimes I let a train run laps while I’m doing other things I use the sound on my switcher in the yard and that’s the only one that stays on.
So, you guys are paying a pretty hefty premium when buying locomotives that have sound decoders, and then turning them off and complaining that the sound is annoying ???
Yes, but I’m finding that harder to do. When I mute, the BEMF buzz comes through, so I have to leave some of the sound on to conceal the shortcomings of the motor control part of the decoder.
Of course I operate at 20 mph and pull 8 cars, so I hear the buzz. If I pulled a 30 car train at 40 mph, all of the mechanical racket might make me think that the decoder is actually running silently.
I consider the miniature “clickety-clack” of HO sectional track to be just a scale version of the real thing, and it’s absence on longer stretches of flex track representative of more modern welded rail. I will add off-track sound as I complete my rail laying this winter, but not as an internal modification to my engines. The clamor of the workaday world is noise enough to many of us, such that we hunger for the peace of quiet tranquil time after we close our front door. I sometimes watch the evening news with captions and no sound, so as to enjoy that blessed silence without compromising my ability to keep informed. With a model railroad, while scaled electronic sound may add atmosphere for some hobbyists, I prefer to use my own imagination to enrich the operating experience. Living just a few hundred feet from a CSX mainline, my imagination is reinforced (and pleasantly so, I may add) nightly as a mixed freight and an automobile dedicated freight make their way through suburban Tampa as I rest.
I do not buy sound engines or decoders. I like quiet and I have been less than impressed at the sounds I have heard. However I would enjoy sounding the horn at grade crossings.
I totally agree, David. I tend to enjoy sound for short spells then I just turn it off. I have found that I really enjoy the clickity-clack of the wheels going over the track joints - just like on the prototype. It’s soothing and rhythmic…
I live near the B&O and PRR Northeast corridor trackage, my work travels take me within ear shot of the tracks on a regular basis.
And I always notice the track sounds more than the locos when I hear a train passing in the distance…
And so it is on my models as well. I like the excitement and action of Class I mainline railroading, and my layout is designed for multi train operation even without a “crew”.
Double track mainline, deticated display routes for multiple trains, as well as “operating session” capabilities for 8-10 operators/trains at one time.
The last thing I want is anywhere from 5-10 of those sound systems going at once, even in 1000 sq ft room.
And I too love the sound of the metal wheels on a 50 car train as it makes its way around the layout…
So that’s why I skipped DCC and sound and put my time and money into signaling and CTC …
And I do like the idea of whistles and horns at crossings…I have plan for that…
Funny thing…I still enjoy the gear to shell noise a Athearn makes.Of course 90% of them had weight added to the inside top of the shell and they run much quiter.
I thought I just repiled to a thread such as this.
I don’t do DCC and sound. A concious descion that I made.
Reading numerous threads on burnt decoders, trouble speed matching, sending them back to the Mfg/Dealer for service and waiting weeks/months plus the cost invvolved and my desire as well for less noise, it was really a no brainer for me.
I do have an MRC sound system for Locos that only get used when my Grandson is here. He like blowing the horn for the Diesels and the whistle for the steam locos.
I have model railroaded for years and do not want to convert, I am very satisfied with my three Control Master 20s and DC block system that I understand far better than I do electronics. And I am old enough and wise enough to know where the fun lies and where problems would start to ruin the hobby for me.
To each their own, If you like it, go for it…TOOT
I guess you could call me “old school”
Brakie (larry) you are so right. Even though I have quieted my Athearns quite a bit, I too still like some of their growl. That seems far more realistic Than the DCC sound which has yet to impress me.
I don’t. Keep in mind that 95% of the comments on the internet come from the perspective of those who install sound decoders into non-factory models. So I’m not sure if that universe is totally comparable to factory OEM sound decoders.
I only buy factory OEM sound locos, which, if they are capable of being set to a non buzz status, the factory chooses not too.
I have protoTsunami, proto/qsi, Atlas/qsi, Atlas/Loksound, Fox Valley/Loksound. They all do it. Some worse than others. The older QSI’s are much MUCH quieter than the newest technology. Interesting.
I would love to buy more QSI’s, but the proto-accurate modelers ran them out of the market. Now I’m left with nonproto BEMF buzz being concealed by “more authentic” (but horrible) turbocharger sounds that can’t be shut off because the sounds have been …UNFORTUNATELY…recorded from real locomotives and not computer generated…like good ol’ QSI’s are.
Ever switch cars with a Fox Valley GP60 at speed step 1? My gawd t
This has been discussed many times in my eleven years on this forum.
Here’s the thing: (I won’t buy locomotives without sound because I like it…sort of.)
DCC sound is crappy quality. No, really. Until they get speakers that can reproduce prototypical sounds at or above 85% fidelity, it’s just an approximation. Good luck with that. The sound box-tenders and fuel tanks are too small to produce bass and heavier sounds.
Sound doesn’t scale worth a darn. Just like real water on a layout, it is all wrong. It’s bad enough we can’t really scale realistic distances on our layouts, but having two decoders on opposite sides of a short line sounding the same volume when we’re operating on one end is problematic. As most of us admit eventually, it’s darned noisy and irritating.
I also mute my decoders. Fortunately, most of mine are QSI variants whose master volume can be adjusted, but also the mute volume does not have to be either on or off; it can be adjusted from 50% max all the way down to 1%.
In order to keep me enjoying the poor sound quality when I am running trains, I only allow two locomotives at a time to give off customized sounds at customized volume. All the rest are on muted idle or muted entirely. Again, QSI’s have a three stage shutdown that lets the decoder only play a few muted sounds here and there in the first two stages.
While I love my steam, and applaud all the decoders guys have provided in the way of sounds for all appliances and ambient noises, some of them are downright annoying in their intrusiveness. Blow downs, pop offs, and injector noises, while real, just get annoying when they are repeated periodically. I usually adjust their individual volumes down to the 30% range…or less. Even the bells, chuffs, and whistles are down so that they sound close to the apparent scale distance.
This has been discussed many times in my eleven years on this forum.
Here’s the thing: (I won’t buy locomotives without sound because I like it…sort of.)
DCC sound is crappy quality. No, really. Until they get speakers that can reproduce prototypical sounds at or above 85% fidelity, it’s just an approximation. Good luck with that. The sound box-tenders and fuel tanks are too small to produce bass and heavier sounds.
Sound doesn’t scale worth a darn. Just like real water on a layout, it is all wrong. It’s bad enough we can’t really scale realistic distances on our layouts, but having two decoders on opposite sides of a short line sounding the same volume when we’re operating on one end is problematic. As most of us admit eventually, it’s darned noisy and irritating.
I also mute my decoders. Fortunately, most of mine are QSI variants whose master volume can be adjusted, but also the mute volume does not have to be either on or off; it can be adjusted from 50% max all the way down to 1%.
In order to keep me enjoying the poor sound quality when I am running trains, I only allow two locomotives at a time to give off customized sounds at customized volume. All the rest are on muted idle or muted entirely. Again, QSI’s have a three stage shutdown that lets the decoder only play a few muted sounds here and there in the first two stages.
While I love my steam, and applaud all the decoders guys have provided in the way of sounds for all appliances and ambient noises, some of them are downright annoying in their intrusiveness. Blow downs, pop offs, and injector noises, while real, just get annoying when they are repeated periodically. I usually adjust their individual volumes down to the 30% range…or less. Even the bells, chuffs, and whistles are down so that they sound close to the apparent scale distance.
I have not yet had the opportunity to run sound locomotives for any length of time, but I do know that the factory settings for sound volume are wayyy too high. I have read many posts that say the same thing. The first CV(s) that I change are the volume settings, usually down to 30% or so of max. Some sounds I do turn off completely because, as others have said, they just aren’t pleasant to listen to.
I am really looking forward to setting up the new “Full Throttle” effects on my Loksounds but they won’t be at full volume.
Rarely if ever do I mute a DCC sound locomotive while in use on my ISL. During my daze in the oil refinery it was always thrilling to hear, see and feel the contract switch engine revving up and belching out a big dark cloud of diesel smoke as it labored to pull a string of loaded LPG tank cars up from the loading racks. Of course my HO scale sound equipped switcher model doesn’t impart the same thrill as it revs up while pulling a string of model railcars upgrade from the carfloat, but for me it mimics well enough to make the operation extremely satisfying and much more fun than silent running ever was.
I lIke to run with the sounds off periodically. I love the sound decoders in my locos, especially playing the bell and whistle sounds. All depends on my mood and if I want sounds playing, or not. To each their own in this case.
If you just want to turn it off, it’s a good sign you can benefit from turning it WAY DOWN. I think Dave is being a bit generous if he runs sound at 30% of max. I typically run mine in the 10% to 15% of max range.
Besides the comfort issue, it’s also the case we’re usually trying to make the layout space we have seem bigger. If you crank the volume, it’s like standing next to the loco, usually something that makes the layout seem smaller. Set the volume low and your loco becomes instantly perceived as more distant.