All I can say is that art, like beauty, is in the eye of the beholder. If you call it art or trendy you could probably sell a piece of gold plated doggie doo-doo on a chain and someone would wear it around their neck !!!
Several decades ago, during my brief sojurn to California, I encountered a ‘thing’ on a street corner in an industrial area - a conglomeration of bent steel girders painted, IIRC, oxide red.
When I inquired, I was told it was a modern freeform sculpture - required by some local ordinance that mandated something of artistic value among the plain building block shapes of the local buildings.
‘Art’ is in the eye of the beholder. So is scrap metal.
In the same vein, what happened to the cockamamie scheme to hang a big (1:1 scale) model of a Santa Fe 4-8-4 nose down over a New York City intersection?
Chuck (Modeling Central Japan in September, 1964 - with very little artistic merit)
[quote] Michael Ashkin is an American artist who makes sculptures, videos, photographs and installations depicting marginalized, desolate landscapes.[1] He is best known for his use of miniature scale and modest materials.[2]
Ashkin also authored Garden State, a book which compares the New Jersey Meadowlands to a formal garden. [3] He is a contributing author to (Untitled) Experience of Place.[4]
Ashkin was born in Morristown, New Jersey, and received an M.A. in Middle East Languages and Cultures from Columbia University. Before becoming an artist, he taught Arabic and worked as a computer programmer for investment banks. [5] As
Trust me, artists don’t care, or I should say only care about people talking about them, they love it, good , bad or ____. Having gone to a top art school thats teachers had to be a practicing artist to teach there, I can tell you that for a fact. So if you want to do the artist a favor, make bold headlines when you denounce him, very bold!!!
Actually, I’ve seen almost that much track on an N scale layout (3 levels, and it worked!) on a tea tray. It was a Tetsudo Mokei Shumi cover story several years ago. Not only was it a runnable track plan (albiet with very short trains) but it included structures that were severely compressed but recognizable representations of Tokyo landmarks.
Not so much ridiculing it as pointing out that a quality photo diorama might sell for $50, but put the tag “art” on it and you could add a zero or two onto the price.