The section of the manual that I quoted goes on for another two and a half pages describing what the CV’s mean and how to go about setting them up.
Which is true of most decoders with Bemf compensation.
You said Tsunami’s don’t have “an official BEMF” which makes it sound like they don’t really have bemf compensation but something similar instead. I just wonder what an “official BEMF” is and why is the one Tsunami’s have not “official.”
Those three settings on the Tsunami are pretty much equivalent to the three BEMF adjustments on Digitrax decoders tha thave BEMF.
ESU, CT, and other Euro decoders have even more adjustment for BEMF, but little explanation of whatthe variables are int he calculation, so it’s a lot of trial and error to get the optimal settings, however sub-optimal in ESU is better than optimal settings with Digitrax.
–Randy
in my opinion i think the tsunami is an excellent decoder. the sound aspect of its operation is fantastic and i think the fact it has the hyperlight and hyperdrive features is just a bonus. even if it is not bemf it still works excellent. as long as it does what we want it to do isnt that all that all that really matters. if back emf is a priority then why buy a decoder that is predominantly a sound decoder. My 2 cents thats all just opinion.