looking for the pros and cons on sound in locos
I am HO Scale and modeling steam
I have seen the ATSF engine in the LHS with its sound on but it seemed so silly almost toy like.
Right now I have lots of videos of the bigboys, challengers and other UP steam that I have recorded the sound on and I just pop in the burned cd and let it play in the speakers under my layout.
any opinions
I am a very happy user of installed sound in Locomotives. It adds so much life to a layout. Yes, several can give you a headache, but thats why they have a volume control and a mute button. As far as quality goes, there is no way it will sound as good as stereo speakers or computer speakers when you listen to sound samples. However, it is a high enough quality (depending on type) that it sounds real and will give you a lot of enjoyment. My BLI Class “A” will get complaints from the neighbors with all it’s huffing and puffing, hissing and clanking [(-D].
REX
Sound in HO locomotives is severely restricted to the upper frequencies due to the size of the speaker(1" or less) and enclosure.
Your speakers “under the layout” have no such limitations -except your ears and pocketbook.
The speaker in the engine MOVES with the engine. A ‘boom Box’ underneath does not.
Hello UP4018,
Was this a Broadway Limited locomotive that you’re referring to? My LHS shop owner demonstrated a BLI NYC Hudson. Very impressive, though a tad loud. It Didn’t sound toy-like to me. One thing though, keep the volume low and the sound complements the locomotive. [;)]
Onboard sound adds a whole new dimension, depth and “flavor” to train operations that can give a lot of satisfaction to model railroaders.[C=:-)][dinner]
You might like this:
From what I’ve read, the Soundtraxx Tsunami decoder will supposedly surpass anything on the current market as far as dynamic sound quality for model steamers and diesels in several scales. I’m excited about the new “Reverb” feature as this will add even more depth and distance to the sound. In the prototype world when we hear trains coming through town, the whistles sounds literally “bounce off” of buildings, streets and anything with relatively flat surfaces. Modelers will now be able to simulate this on their layouts. [swg][tup]
Back in 1981 I tape recorded the Chessie #614 when she cruised into Tampa. I remember playing back the tape and being pleasantly surprised at all of the whistle “echoes” it picked up. [:D][8D]
Peace and High Greens on your tracks!
Sound gets expensive and fitting speakers is a pain. The results are terrific, but I am holding off adding any more to wait for Surroundtrax (search Google for info), which will address Don’s comment: it will follow the train and it will provide under-the-table boom-box for some real low-freq sound. And the only bit needed in the loco is a transponder to identify it. And block detection on the tracks to find it (which you need anyway for signalling). Can’t wait!!
I’m a very satisfied user of onboard sound. I have several BLI heavy mikes and like them very much. The rest of my locos have soundtraxx decoders installed. One thing that makes a difference, at least to my ears, is speaker size. In my steamers I use Loy’s Toys large oval speaker. It’s1.57" by 1.1". With an enclosure made of .040 thick sheet lead it’s a tight fit in a USRA tender but I think it’s worth the effort. Most of my diesels use Loy’s small oval speaker, which is 1.57" by 0.79" due to space limitations, also with sheet lead enclosures.
Have Fun,
Tom Watkins
Perhaps the demonstration you heard was with the locomotive operating on block DC control and not DCC. The sound effects are quite different when it is running under DCC control. The test track or whatever you heard it on can have an effect, too, if it is just mounted on a piece of wood with no cork roadbed.
Although my HO Siskiyou Line layout is set in the 1980s and we run diesels, I can tell you the reaction of my operating crew to sound.
I do not have sound installed in all my locos, but the reaction is the same for whomever gets a lashup with sound.
“You need to put sound in all your locos … the other locos without sound just seem dead, like there is something wrong with them after I run a lashup with sound”.
The point is, sound is addicting! It adds a lot to the operating experience.
Joe,
Hope you don’t mind me taking advantage of your posted question:
Are you using Soundtraxx decoders? If so, what types do you have? (DSX, DSD, LC,etc.) Or are you using MRCs?
If you have various types, how do they compare with one another as far as quality, dynamics, reliability?
I’m asking as while there a various sound systems out there, few modelers that own locomotives with sound have commented on this forum about their own experiences, comparisons, etc. Instead most DCC modelers, including you, have provided very good info on the “DCC” arena (hookup, troubleshooting, CV functions,) but not much on the “Sound” side.
Thanks!
Joe
I know exactly what you mean. I have a P2k GP7 that is the smoothest runner I have, but without sound. When I start it up, after running loco’s with sound, it’s almost like its not real or somethings not working. Just BLAH!
Because of that I am trying to go with sound in everything. I even installed a large oval and a round speaker in a box car to connect to those loco’s that are too small for a reasonable size speaker. I plan to rig more using the Soundtraxx DSX onboard decoder. So they drag a box car around all the time. Heck! It’s worth it.
Antonio,
IMHO: If your looking for realistic sound patterns, don’t buy the Soundtraxx LC. It is ok for the sake of having fair sound and it is cheaper, but it doesn’t have the power or as many varied sounds and functions. Hopefully, the Tsunami will be out soon and that one will be the King of them all.
REX [:)]
I have a pair of BLI mikes and am awaiting the arrival of a BLI E7. My only comment is that it can get a little noisy in the train room if we dont drop the volume down on the locomotives. I think I might patent the concept of “scale sound”. This would automatically compensate the volume of a locomotive so that the sound level would be approriate for scale distance! On my layout, the coal mine is supposed to be 100 odd miles from the powerstation. However, I can hear the mikado accross the room a supposed 100 miles away. This is clearly not realistic![:D] I should be able to screw up sound equipped locomotive manufacturers for years by getting a patent to cover this idea that manages to encompass volume control.[}:)]
Antonio:
I have used both Soundtrax DSX and DSD decoders, and I am currently using DSD LC decoders for sound. I put one dummy unit in a lashup with the sound in it. I plan to install just one sound unit per lashup. I have 65 locos for the layout, but only about 20 lashups.
I use DSD LC decoders because they are cheaper than DSX decoders and it’s easier to program a DSD decoder. I have found DSX decoder programming to be kind of quirky because it expects to have another decoder connected to do motor things, and the programming got to be confusing when there is NO motor decoder attached but it’s expecting one.
Of course, switchers will have sound in them, but they will be the exception.
I find the LC decoder sound to be acceptable. It’s not as nice as the full blown sound decoders, but pretty good. I don’t need coupler clank, for example. The LC decoder sound can be made to rachet up with the throttle or you can have a function key to change the throttle “notch”. This way you can have a lashup in run 8 but just crawling along if you want.
I plan to spend some time discussing and demoing DCC sound in volume 3 of the Siskiyou Line series on Electrical and Control, due out next spring. I touched on it a bit in my DCC clinic, also available on video (see: http://model-trains-video.com ).
Doing loco lighting and sound with DCC are the two topic areas that are seldom discussed. I hope to rectify that in my upcoming video by showing you demonstrations of what I have done, show you my boo-boos, etc.
I have a pair of BLI heavy mikes, and a pair of Spectrum 2-8-0’s with the Soundtraxx units in the tender. The BLI units have better sound, but all need to have the volume turned down when you are running more than one engine on the layout. I like to adjust the sound to the point that it is just above the ‘background sound’ level. The Soundtraxx B280LC units can be improved by drilling small holes in the tender coal load(hardly show) and adding some foam to the back of the tender - the sound does not bounce around(that ‘tin’ sound’) and is directed out the coal pile.
Jim Bernier
Rexhea, thanks!
I would probably use an LC type decoder in a switcher, such as an Atlas EMD SW unit. I plan on installing the Tsunami only in my passenger and freight “Road Engines” since these are what I enjoy seeing in action. The sound of EMD’s 645 turbocharged “whine” and the “Chugging” of GE U-Boats were always thrills for me as a teen.
Joe,
Appreciate you sharing the info on which decoders you use. Great news on your Volume 3!!
Have you already produced it or are you in the process? I’m wondering since the Tsunami is due out next month and if you were planning on purchasing the decoder.
One thing you could do: Since you’ve already met, ask Nancy from Soundtraxx if they would allow you to become a “product tester” for the Tsunami decoder. From what I’ve been told, this happens a lot in the computer and electronics industry.
Either way, I will plan to purchase the video. It’s very helpful when there are live action pictures to go with book info and computer images.
Thanks!
OK. You guys have confirmed my worse fears. This sound thing is addictive. I don’t see any warnings on the advertisements, but I’ve always thought this. Not having even gone to DCC yet I avoid sound equipped engine demo’s and internet samples like the plague. I’m afraid that once I hear it, I’ll skip a mortgage payment and do the DCC/Sound thing for all my stuff, and that wouldn’t do. Thanks for the warning!!
I’ve stopped wishing for the topic thread “DCC and Sound Are a Waste” with millions of posters in agreement.
DKelly,
Have you gone to www.Soundtraxx.com and checked out the sound samples?? (Click on the Soundtraxx DCC box first and the “Samples” box will open up.) [:D]
Originally I was skeptical about sound equipped locomotives, until I checked out the “Sound Samples” on Soundtraxx’s web site back in 2002. My eyes bugged out and my mouth went “GA-GA!” [:P][:P][:D][(-D][swg][tup]
As I’ve stated many times teen modelers like me back in the late 70s were wishing that someone could produce HO or N engines equipped with accurate sound! [sigh][:)]
So “Budget” for it and look forward to blowing that K5 horn on a diesel or making your steamers chuff!
I have had experience with the original SoundTraxx DSD 150 and several versions of the DSD LC, as well as two Broadway Limited and one Lionel HO scale locomotive with the QSI systems. Someone asked for a comparison. The DSD 150, no longer produced, has enough power output to drive 2 or 3 speakers, and the LC decoders will only drive one speaker. The new SoundTraxx Tsunami, not yet released, is supposed to be equivalent to the old DSD 150 in power output, meaning it should be able to power 2 or 3 speakers. All of the QSI systems I have use two speakers.
I have installed sound in only one diesel lashup, a Proto 2000 Illinois Central A-B-B-A E-7 set that I use to pull a 12 car City of New Orleans passenger set. For this, I used two DSD 150s and 6 oval speakers with baffles that I purchased from Tony’s Train Exchange. The B units are dummys with the decoders and two speakers in the floor of each, and there is a third speaker in the rear of each A unit. Even with this much power, the volume is not as loud as a QSI system, but the sound is excellent with multiple speakers.
I haved installed LC sound decoders into Bachmann Spectrum 2-8-0, 2-10-0, Light Mountain, Heavy Mountain, and Shay locomotives. The key to good sound in these locomotives is the speaker. If you get a good 1" round or oval speaker with an adequate baffle, the LC decoders sound acceptable, but not as good as the DSD 150. The LC units do not have enough power to drive multiple speakers. Because of size restrictions, not even a 1" speaker could go into the Bachmann Spectrum Shay, and SoundTraxx provides an even smaller speaker for this locomotive. There’s no room for any type of baffle, so sound is very weak.
The two Broadway Limited and Lionel Challenger with QSI sound systems all use two oval speakers mounted in the floor of the tenders, and utilize the tender shell as their baffle. The QSI systems provide higher power output than SoundTraxx decoders and the quality of sound is much better.
Antonio,
I’ve avoided that website like big time. Seriously. I remember back in high school (1981) when my dad and I visited a club open house. We were touring the layout when I thought I heard something. My dad and I looked at each other . … he had heard it too! There was an ABA consit of cab units moving a freight and, yeah, it sounded very real! I forget what system it was. We followed that train around the club I’m sure with bugged eyed wonderment. I can only imagine what the samples on the Soundtraxx website must be like after 20 years of technical progress, digital sampling etc etc!! Let me pay off some debts from my divorce. Then I’ll take all the knowledge I’ve learned here, give Tony’s a few calls, choose my DCC system and then . . . . .SOUND!!
Understandable DKelly,
But if you do check it out, it will really give you something to look forward to! Hope you get out of debt soon as I know it’s frustrating. You sound like your tenacious and will pull through! [C):-)][tup]
Cacole, JFugate,
Scenario: On HO E units, F units and Cowled locos (F40, FP45) wouldn’t it be better to have “See Thru” radiator fans on the roofs, “See Thru” grills on the sides. Then, with baffling, install the speakers on the ceiling so that the sound will come from the top area of the locomotives instead of the bottom? Do you think it would be louder and more dynamic?
I’ve looked inside the bodies of my P2K E units and my Athearn FP45s and there does seem to be a reasonable amount of space for 1 or 2 small speakers on the ceiling. I’m just a DCC newbie though. Any thoughts? [:D][:p]
AntonioFP45,
Yes, if your locomotives have see-through fans on the roofs, mounting the speakers there would probably give you good sound output by mounting the speakers directly under them. I didn’t do that on my Proto 2000 units because I didn’t want to have any type of wiring restricting removal of the shell. Since the bottom of the chassis already had fairly large openings on the dummy units, it was easier to mount the speakers there and let the sound go out the bottom.