Someone on another board mentioned that he could tell I modeled the PRR just by looking at the right-of-way, even without seeing the rolling stock.
This was a great compliment, of course, [:I] and at the risk of seeming too proud, I’ll offer the thoughts to you guys I offered over there on the subject:
“Thanks for the kind words! I guess I’m lucky in that the PRR right-of-way was SO distinctive… Keystones everywhere, PL signals, stone arch bridges (I have one of those, too), two-tone brown interlocking towers, lots of line poles, etc… It’s pretty easy to get it almost-right with only a modest amount of research. Other railroads may not have had such unique engineering, and their rights-of-way might not always speak for themselves. Signalling systems are one way to mark your ROW as belonging to a particular company.”
In other words, the reason I got it almost-right was because the PRR is such a distinctive prototype that almost everyone knows and that is unique to it.
How about other railroads? If I saw an A-frame signal bridge, I’d say Santa Fe even before I saw the war-bonnet F3s.
If I saw an interlocking tower on metal stilts, I’d be thinking NYCRR in the midwest.
If I saw narrow gauge track in the mountains on a steel bridge that looked like it was built for standard gauge, I’m thinking “D&RGW San Juan Extension.”
If I saw color position light signals, I’d say B&O!
If I saw square lattice-girder catenary over four tracks, I’d know it was New Haven even before I saw the FL9s.
My point? If you model a prototype, the right-of-way is as important as the equipment in setting the scene. Some railroads (like mine) slap you in the face by telling you exactly who they are, and others may be more subtle. But all have something, from lineside structure color to signals, that says “this is who we are.”
My PRR right-of-way: